THE HEART SUTRA
Om Homage to the Perfection of Wisdom the Lovely, the Holy !
Avalokita, the Holy Lord and Bodhisattva, was moving in the deep course of the Wisdom which has gone beyond.
He looked down from on high, He beheld but five heaps, and He saw that in their own-being they were empty.
Here, O Sariputra,
form is emptiness and the very emptiness is form ;
emptiness does not differ from form, form does not differ from emptiness, whatever is emptiness, that is form,
the same is true of feelings, perceptions, impulses, and consciousness.
Here, O Sariputra,
all dharmas are marked with emptiness ;
they are not produced or stopped, not defiled or immaculate, not deficient or complete.
Therefore, O Sariputra,
in emptiness there is no form nor feeling, nor perception, nor impulse, nor consciousness ;
No eye, ear, nose, tongue, body, mind ; No forms, sounds, smells, tastes, touchables or objects of mind ; No sight-organ element, and so forth, until we come to :
No mind-consciousness element ; There is no ignorance, no extinction of ignorance, and so forth, until we come to : There is no decay and death, no extinction of decay and death. There is no suffering, no origination, no stopping, no path.
There is no cognition, no attainment and no non-attainment.
Therefore, O Sariputra,
it is because of his non-attainmentness that a Bodhisattva, through having relied on the Perfection of Wisdom, dwells without thought-coverings. In the absence of thought-coverings he has not been made to tremble,
he has overcome what can upset, and in the end he attains to Nirvana.
All those who appear as Buddhas in the three periods of time fully awake to the utmost, right and perfect Enlightenment because they have relied on the Perfection of Wisdom.
Therefore one should know the prajnaparamita as the great spell, the spell of great knowledge, the utmost spell, the unequalled spell, allayer of all suffering, in truth -- for what could go wrong ? By the prajnaparamita has this spell been delivered. It runs like this :
gate gate paragate parasamgate bodhi svaha.
( Gone, gone, gone beyond, gone altogether beyond, O what an awakening, all-hail ! -- )
This completes the Heart of perfect Wisdom.
(Translated by E. Conze)
您好张老师,我是一个青海的音乐爱好者,本人不自量力,尤其酷爱电脑音乐创作。可是我一没英语基础,二对键盘乐器从没摸过,[年青时代宰过一段小提琴的鸡],年纪又大[五十多岁]。现斗胆想拜您为师,很想到济南来跟您学习一段时期,从而掌握一些电脑作曲基础知识。 2006年10月我盲目的参加了北京一个midi培训班学了几天,由于老年痴呆和太笨吧,也没学到啥。您著的大作我都买了看过一些,但不知从何学起。我想学电脑音乐,就我这壮况,也可能是痴人说梦话,但我对它的确是多么迷恋啊。请指教并期盼您的赐教。谢谢。
马老师您好。目前很多软件都有汉化的版本,没有英语基础也没有关系。不用键盘,用鼠标也一样可以做音乐,只不过没有键盘的输入速度效率高。从青海来济南找我学习显然太不方便了,也没有这个必要。现在网上有大量的教程可以学习,尤其是视频教程,都非常直观易懂,而且还有那么多的书可以买,现在和我们学电脑音乐的那个时代相比,现在学MIDI真是太容易太方便了!
我们学的那个时代几乎没有任何书籍资料,更没有网络论坛,更别说什么视频教程了。根本没任何人教我们,我们当时靠的就是趴在资料和设备上一晚一晚不睡觉玩了命琢磨。往往我们都是“今天弄不响它,我就绝不吃饭绝不睡觉”,有时候钻研起设备来真的一天不吃饭的!如此的痴迷和毅力,才能学成。不仅是年轻人,很多年龄大的老师在那个时代都靠着这种毅力学成了电脑音乐高手,我知道的如著名作曲家任宝祯老师等。相比之下,现在的学习资料如此之多,学习起来是非常容易的!
但是,学做电脑音乐和学琴一样,并不是说短时间就能学会的。那是不可能的。就像学琴要练得手指头磨出茧子一样,学MIDI绝不是几天的功夫,更不是学学软件操作就会了,至少也要练上几年,至少要做上百首歌之后做的东西才能稍微像点样子。这是一个漫长的过程,所以您不必心急。
现在一个月写一篇。。。。
佩服坚持写日记的人.